Āvaraṇas of Jagannātha as Kṛṣṇa in the Puri Śrīmandira

There are seven āvaraṇas(surrounding ‘layers’ of deities) around the main Jagannātha deity in the Puri temple. They are:

  1. The four playmates of Kṛṣṇa
  2. Aṅgas of mantra
  3. Eight wives of Kṛṣṇa
  4. Parents,brother,sister of Kṛṣṇa,gopas and gopīs
  5. Five Kalpavṛkṣas
  6. Certain bhaktas of Kṛṣṇa
  7. 10 dikpālas

First āvaraṇa:Contains Dāmā,Sudāmā,Vasudāmā and Kiṅkiṇi(similar to Kṛṣna,adolescent,carrying flute and ball)
Second āvaraṇa:Contains the āṇgas conjoined with the corresponding parts of the main mantra(arcakāya svāhā, kṛṣṇāya hṛdayāya namaḥ, govindāya śirase svāhā…ultimately 9 members in this circle. The dhyānas of the pallavas are given in the Nīlādrīmahodaya(eg:svāhā is red-complexion,dressed in red and having a crown on head and two lotuses in hands,namaḥ being white complexioned,three eyed and basically like the common form of Bhuvaneśvarī in appearance otherwise)
Third āvaraṇa:Rukmiṇī,Satyabhāmā,Naganjitā,Sunandā,Mitravindā,Sulakṣaṇā,Jāmbavatī,Suśīlā(lotus and chowrie in their hands)
Fourth āvaraṇa:Vāsudeva,Devakī,Nanda,Yaśodā(the fathers with jñānamudrā and abhayamudrā,the mothers having a varadamudrā and a pot full of pāyasa),Balabhadra(halamusaladhārin,with quivering eyes under the effect of alcohol),Subhadrā(varābhaya,like hot gold or dark green),gopas and gopīs with flutes,cane sticks,horns,etc
Fifth āvaraṇa:The kalpavṛkṣas Mandāra,Santāna,Pārijāta,Kalpadruma,Haricandana(the last one is placed in the centre under which Kṛṣna is)
Sixth āvaraṇa:nityabhaktas:Nārada,Parvata,Uddhava,Akrūra,Niṣaṭha,Dāruka,Viṣvaksena,Vainateya(Garuḍa)
Seventh āvaraṇa:Indra,agni,Yama,Nairṛta,Varuṇa,Vāyu,Kubera,Īśāna,Ananta,Brahman

On Jagadguru Pītāmbara Siddhāntavāgīśa,the most famous exponent of the Kāmarūpa school of Dharmaśāstra

On Pītāmbara Siddhāntavāgīśa’s life:Gleanings from his own works

Pītāmbara Siddhāntavāgīśa,the most famous exponent of the Kāmarūpa school of Dharmaśāstra is,in the tradition of many Sanskrit authors,quite rectinent on his personal life. However he mentions the following details

  • Dāyakaumudī:He was born at a place in the Southern part of the Lauhitya(Brahmaputra)
  • He was in a large part taught by his father(the benedictory verse of the Śrāddhakaumudī)
  • He was a smārta devotee of Nārāyaṇa and pays obeisances to Śiva,Durgā and Sūrya also. This last bit can be gleaned from the Daśakarmakaumudī where the term ‘śrīvāsudevamārādhya…’ is used.
  • He mentions in the end of his Śuddhikaumudī that he accomplished this work in 1534 śakābda(1612 CE)
  • In the colophon to his Grahaṇakaumudī he mentions that he was patronized by Lakṣmīnārāyaṇa of Kāmarūpa.

Siddhāntavāgīśa’s life:Gleanings from other sources

  • Bṛhatrājavaṃśāvalī states that Cilārāya the brother of Naranārāyaṇa brought Puruṣottama Vidyāvāgīśa(the author of the grammatical work Ratnamālā) and Pītāmbara from Gauḍa
  • He was also said to be a court poet of Naranārāyaṇa and probably served in the court of Balinārāyaṇa as well.
  • Maṇgaladair Buranji introduces him as the Dīkṣāguru of the king of Daraṇga,who donated a large amount of property in his province and his descendants still live there.
  • Nagendranath Vasu in his Social History of Kamarupa states that his kaumudīs were followed by the kings,citing the Bṛhatrājavaṃśāvalī,which noted that those who violated the rules and regulations of society as laid down for the various varṇas and āśramas of human society and life by Jagadguru Pītāmbara Siddhāntavāgīśa were punished by the king.

Works of Pītāmbara Siddhāntavāgīśa

He is traditionally said to have composed 18 kaumudīs(digests of smṛtiśāstra),which are listed popularly as;

  • Daṇḍakaumudī
  • Pretakaumudī
  • Vṛṣotsargakaumudī
  • Pramāṇakaumudī
  • Śrāddhakaumudī
  • Durgotsavakaumudī
  • Ekādaśīkaumudī
  • Śuddhikaumudī
  • Pratiṣṭhākaumudī
  • Saṃkalpakaumudī
  • Prāyaścittakaumudī
  • Tīrthakaumudī
  • Pañcadīkṣākaumudī
  • Sambandhakaumudī
  • Tithikaumudī
  • Dāyakaumudī
  • Ācārakaumudī

Hiramoni Goswami(on whose introduction this article is based) cites Taranath Goswami’s list as follows

  • Dāyakaumudī
  • Śrāddhakaumudī
  • Malamāsakaumudī
  • Nirṇayakaumudī
  • Sambandhakaumudī
  • Tattvakaumudī
  • Āhnikakaumudī
  • Vivādakaumudī
  • Aśaucakaumudī
  • Tithikaumudī
  • Pretakaumudī
  • Śuddhikaumudī
  • Pañcayajñakaumudī
  • Dīkṣakaumudī
  • Janmāṣṭamīkaumudī
  • Vṛṣotsargakaumudī
  • Saṃskārakaumudī

Hiramoni Goswami also cites Ghanakanta Sarma’s list of Pītāmbara Siddhāntavāgīśa’s kaumudīs which runs into 28

  • Dāyakaumudī
  • Śrāddhakaumudī
  • Malamāsakaumudī
  • Nirṇayakaumudī
  • Sambandhakaumudī
  • Tattvakaumudī
  • Āhnikakaumudī
  • Vivādakaumudī
  • Aśaucakaumudī
  • Tithikaumudī
  • Pretakaumudī
  • Śuddhikaumudī
  • Pañcayajñakaumudī
  • Vṛṣotsargakaumudī
  • Dīkṣākaumudī
  • Janmāṣṭamīkaumudī
  • Saṃkrāntikaumudī
  • Daśakarmakaumudī
  • Tīrthakaumudī
  • Pramāṇakaumudī
  • Patrakaumudī
  • Prāyaścittakaumudī
  • Jyotiṣkaumudī
  • Daṇḍakaumudī
  • Divyakaumudī
  • Sākṣyakaumudī
  • Vyavahārakaumudī
  • Kṛtyakaumudī

Some other works of his that are unpublished amongst digests are Grahaṇakaumudī,etc.(apparently the recently published Śivarātrikaumudī is a part of Durgotsavakaumudī:oral communication). He also is credited with writing commentaries on Vācaspati Miśra’s Dvaitanirṇaya(Dvaitanirṇayadīpikā) and on the tantric digest Śāradātīlaka(Guḍārthaprakāśikā). Very few of his works have been published in print.

Homosexuality,Gender activism,and the rest

This post has been prompted by the recent viral spate of news on gender ideological activism,which I will distinguish from homosexual men

https://www.opindia.com/2020/07/gender-identity-politics-harish-iyer-non-conforming-binary-lgbt-community/

https://www.opindia.com/2020/07/tagore-international-school-nazariya-gender-identity-politics-brainwashing-children/

https://www.opindia.com/2020/07/nazariya-qfrg-tagore-international-school-gender-identity-politics-queer/


The final trigger for this was this tweet

https://twitter.com/zeneraalstuff/status/1285417685090631683

>Define what is the objectionable positions in LGBTQI ideology. Blog post or tweet series, please.


My remark on this is that the very premise of queer activism and the question of LGBT liberation in India has completely imported and copied the trends of the Western world:Some of them are (I am summarizing them under the label of queer and gender ideology activism,as opposed to people who only believe homosexuality should be decriminalized):

1. A trend towards rebellion against the mainstream of society rather than wishing for any acceptance(this is signalled by political valences that tend to be anti-national). This tendency is glorified in Anglo academia by the American theorist Jasbir Puar(one of the fountainheads of such theories),who made her career lambasting gay men who remain satisified with the rest of the society after marriage or partnership rights have been granted to them. According to them: >Queer is … whatever is at odds with the normal, the legitimate, the dominant. In the view of this type influenced by this fount:It is not enough to have a particular sexuality to be in the movement and want to live a sane life with a loyal,single faithful man,but one must ever militate against the normative religion and traditions of the society to have cred in the ‘movement’. This example can be found in this article which takes a sympathetic view to having sex in public in parades,demanding that maximum freakishness and ‘nanga naach’ type of displays are good by the very virtue of them being an oppressed class and dragging in the topic of socio-economic backgrounds to get a figleaf of legitimacy for their theorizing. It is this view of celebrating all that should is intended to hurt and shock and rub in the faces of mainstream Hindu society that that group could include the case of Hadiya under the Queer ideology.


2. A trend of activism that has arisen in trans circles(related to the above),who have gained power in the Western LGBT movements and pushes out anyone else who speak against them as a transphobe,and as pathologizing transgenderism or related identities. While the various identities that don’t fit into male/female identity would be fitting into the broad ‘third gender’ category in traditional Indian views with their own communities,this particular strain of activism that has taken over insists that anyone can be anything they insist to be if they feel like it,violating all the conventions of it just out of pure narcissism. They take over the cases of effeminate boys,etc who do face genuine problems and bullying at school and use that to give a solution that is worse than the problem(this ideology). In the Western idiom,the only logically consistent position that does not do harm to trans people is one that is called transmedicalism,which notes that people who do not have dysphoria do not deserve to be called trans(which is dismissed by current crop of trans activists that say that dysphoria. They also have taken to unnecessary advocacy towards children,who are better served by supportive therapy which would include a wait and watch approach towards their condition(and these trend of activists have made even the topic of eventual desistance of initially dysphoric children taboo) and have slandered every other person who has been contrary to them as being transphobes. This transgenderism is a cult that listens to no reason and simply looks like it wants to recruit as many people into it,and they proceed to get super offended when people are not into them,to even academically complaining that normal people do not like them. Their cultic influence has gone to the extent of transwashing LGBT activism in the US.

Most ordinary gay men do not know about the above sort of views of the activists and in my experience,it takes quite a bit to wrap their head around the sort of views these people hold:They may or may not attend pride because for them it is a venue to meet other gay people and hang out. Unfortunately what happens as a consequence is brainwashing in the above set of ideologues because they for the first time find a set of people who are more accepting of their proclivities towards sex and relationships than the normal mainstream society and they get stuck there in those circles.


As to the views of this author on the views on the activisms and theories:

1. These Queer ideology theories are thinly veiled homophobia and slave morality at its core:These people are essentially slandering ordinary gay men and women and people who are effeminate etc that the more freakish and perverse one becomes,the better it is. (My quote on Queer Theory from the Stanford Encyclopedia of Philosophy by their own theorists sums it up perfectly well).
2. People who are effeminate,etc in school should be taught to stand up to those who bully them and should be supported by parents and should go through a ‘wait and watch’ approach,rather than be transed by ideologues who seem to want only a cult of them(by puberty blockers,etc). Traditional gendernoncofirming communities like kinnars,hijdas,etc should be protected as well. This post was not meant to attack them. As for the various ones in trans ideologies in the West,the unfashionable ‘transmedicalism’ or ‘trutrans’ is the only logically consistent and correct one.
3. Children should not be sexualized.
4. Consent alone should not be the sole morality of sex. It is necessary but not a sufficient condition of sex between two people. As this section from the Stanford Encyclopedia of Philosophy notes,going from an article by Seriol Morgan Dark Desires,some sexual acts which would fall under the purview of consent would be still immoral.

So cases like Armin Meiwes would not pass muster merely because his victim contested.

4. Gay people,Lesbian,genuinely trans people,hijras,etc should be left alone with each other and not harassed merely due to their sexuality or whom they interact with as romantic partners/sexual partners/companions. At the current stage,I do not have further views as such.

The sixteen names of Durgā and their explanations(from the 57th adhyaya of the Brahmavaivarta Purāṇa)

nārada uvāca

sarvākhyānaṃ ṣrutaṃ brahmaktratīva paramādbhūtam|
adhūnā śrotumicchāmi durgopākhyānamuttamam||
dūrgā nārāyañīśānā viṣṇumāyā śivā satī|
nityā satyā bhagavatī śarvāṇī sarvamaṇgalā||
ambikā vaiṣṇavī gaurī pārvatī ca sanātanī|
nāmāni kauthumoktāni sarveṣaṃ śubhadāni ca||

Nārada said:Oh Brāhmaṇa,I have listened to this astonishing story. Kindly tell me the story of Durgā that I want to listen from you. Her names as described in the Kauthuma śākhā(of the Sāmaveda) are Durgā,Nārāyaṇī,Īśānī,Viṣṇumāyā,Śivā,Satī,Nityā,Satyā,Bhagavatī,Śarvāṇī,Sarvamaṇgalā,Ambikā,Vaiṣṇavī,Gaurī,Pārvatī,Sanātanī and they bestow auspiciousness.

atha śoḍaśanāmnāṃ ca sarveṣāmīpsitaṃ varaṃ।
brūhi vedavidāṃ śreṣṭhaṃ vedoktaṃ sarvasampatam॥

O best of the ones learned in the vedas, please kindly state the meanings of the sixteen names which bestow welfare upon all and are mentioned in the veda.

kena vā pūjitā sadak dvitīye kena vā pūrā।
tṛtīye vā catūrthe vā kena sarvatra pūjitā॥

Who was the first to worship Her?After that, who was the second, third and fourth to worship Her?

nārāyaṇa uvāca

atha ṣoḍaśanāmnāṃ sa viṣṇuvedi cakāra saḥ।
jñātvā punaḥ pṛccasi tvaṃ kathayāmi yathāgamam॥

Nārāyaṇa said:Viṣṇu has already given the sixteen names in the vedas and you are well aware of them. In spite of that you are asking me the question again and I am now speaking what has been said in the śāstra.

durgo daitye mahāvighne bhavabandhe ca karmaṇi।
śoke duḥkhe ca narake yamadaṇḍe ca janmani॥
mahābhaye’tiroge cāpyāśabdo hantṛvācakaḥ।
etānhantyeva yā devī sā ḍurga parikīrtitā॥

The word ‘Durga’ stands for a daitya who was a great obstruction representing worldly bondage,karmas,sorrows,hells,yama’s rod, births,great dangers, disease and ‘a’ represents the killer of the same. Therefore the one who destroys them all is famed as ‘Durgā’.

yaśasā tejasā rūpairnārāyaṇasamā guṇaiḥ।
śaktirnārāyaṇasyeyaṃ ṭena nārāyaṇī smṛtā॥

In glory,lusture,beauty and qualities She is like Nārāyaṇa and She is His śakti. Hence She is called Nārāyaṇī.

īśānaḥ sarvasiddharthe cāśabdo dātṛvācakaḥ।
sarvasiddhipradātrī yā sā’pīśānā prakīrtitā॥

Īśāna is a word used for sarvasiddhi(all-accomplishment) and ‘ā’ stands for its giver. Therefore the one who bestows sarvasiddhi is called Īśānā.

sṛṣṭā māyā purā sṛṣṭau viṣṇunā paramātmanā।
mohitaṃ māyayā viśvaṃ viṣṇumāyā prakīrtitā॥

In times of yore,Viṣnu created māyā,by means of which the whole universe was deluded by Her. She is thus called Viṣnumāyā.

śive kalyāṇarūpā ca śivadā ca śivapriyā।
priye dātari cāśabdo śivā tena prakīrtitā॥

She’s beloved of Śiva and is the form of Śiva’s auspiciousness and giver of Śiva,hence She is called Śivā.

sadbuddhyadhiṣātṛdevī vidyamānā yuge yuge।
pativratā suśīlā ca sā satī parikīrtitā॥

Every Yuga after Yuga,She’s the presiding deity of sad-buddhi(right intelligence),She is a chaste lady and well-disposed,hence She is called Satī.

yathā nityo hi bhagavān nityā bhagavatī tathā।
svamāyayā tirobhūtā tatreśe prākṛte laye॥
ābrahmastambaparyantaṃ sarvaṃ mithyaiva kṛtrimam।
dūrgā satyasvarūpā sā prakṛtirbhagavānyathā॥
siddhaiśvaryādikaṃ sarvaṃ yasyāmasti yuge yuge।
saiddhādike bhago jñeyastena sā bhagavatī smṛtā॥

She is eternal like Viṣṇu,and merges into Him at the time of the dissolution of the universe. Everything from a straw to Brahmā is transient and artificial(in contrast). She is also of the nature of Satya(truth) like Viṣṇu. ‘Bhaga’ denotes all siddhi and aiśvarya(lordliness/wealth),and since She is of that nature,She is called ‘Bhagavatī’.

sarvānmokṣaṃ prāpayati janmamṛtyujarādikaṃ।
carācarāśca viśvasthāñcharvāṇī tena kīrtitā॥

She gives mokṣa to all and is the cause of birth, death and old age of all, hence She is called Śarvāṇī.

maṅgalaṃ mokṣavacanaṃ cāśabdo dātṛvācakaḥ।
sarvānmokṣānyā dadādi saivasyātsarvamaṅgalā॥

The word ‘Maṇgala’ means auspiciousness and ‘ā’ stands for its giver. Since she gives auspiciousness to all,She is called sarvamaṇgalā.

harṣe saṃpādi kalyāṇe maṅgalaṃ parikīrtitaṃ।
tāndadāti ca sarvebhyastena sā sarvamaṅgalā॥

The word ‘Maṇgala’ means pleasures and auspiciousness which She bestows upon all. Hence She is called Sarvamaṇgalā.

ambeti mātṛvacano vandane pūjate sadā।
pūjitā vanditā yātā jagatāṃ tena sā’mbikā॥

The word Ambā means mother and is used for worship and adoration. Hence,the Mother who is worshipped by all is called Ambikā.

viṣṇubhaktā viṣṇurūpā viṣṇoḥ śaktisvarūpiṇī।
sṛṣṭau ca viṣṇunā sraṣṭā vaiṣṇavī tena kīrtitā॥

The devotees of Viṣṇu call Her Vaiṣṇavī because She is the form and energy of Viṣṇu,and by Her is the whole universe is created.

gauraḥ pīte ca nirlipte pare brahmāṇi nirmale।
tasyātmanaḥ śaktiriyaṃ gaurī ṭena prakīrtitā॥
guruḥ śambhuśca sareveṣāṃ tasya śaktiḥ priyā sati।
guruḥ kṛṣṇaśca tanmāyā gaurī tena prakīrtitā॥
tithibhede parvabhede kalpabhede’nyabhedake।
khyātau teṣu ca vikhyātā pārvatī tena kīrtitā॥
mahotsavaviśeṣe ca parvatriti sukīrtitā।
tasyādhidevī yā sā ca pārvatī parikīrtitā॥
parvatasya sutā devī sāvirbhūtā ca parvate।
parvatādhiṣṭhātṛdevī pārvatī tena kīrtitā॥

She is golden complexioned, clad in yellow garments, unattached and spotless. Because She is the śakti of the Ātman She is called Gaurī. She’s is tithibheda,kalpabheda,and one who causes the bhedas between these tithes,kalpas and other bhedas. She is thus called Pārvatī. During special celebrations, the word pavan is used, and since She is the Goddess of all parvenus,She is called Pārvatī. She is also called Pārvatī because She is the daughter of the mountain, appeared over the (Himalaya) mountain, and is the Goddess of mountains.

sarvakAle sanA prokto vistR^ite cha tanIti cha|
sarvatra sarvakAle cha vidyamAnA sanAtanI||
arthaH ShoDashanAmnAM cha kIrtitashcha mahAmune|
yathAgamaM taM vedoktopAkhyAnaM cha nishAmaya||

The word ‘sanā’ is used for all times, and in expanded form,’tanī’ is added to it. Since She is present in all times and all places,She is called Sanātanī. O sage,I have explained the meanings of Her sixteen names. I am now narrating the stories of Her as told in the vedas. Listen to me!

prathame pūjitā sā ca kṛṣṇena paramātmanā।
vṛndāvane ca sṛṣṭyādau goloke rāsamaṇḍale॥
madhukaiṭabhabhītena brahmaṇā sā dvitīyate।
tripurapraritenaiva tṛtiye ca tripurāriṇā॥
bhraṣṭaśriyā mahendreṇa śāpāhurvāsasaḥ purā।
caturthe pūjitā devī bhaktyā bhagavatī satī॥
tadā munīndraiḥ siddhendrairdevaiśca munipuṅgavaiḥ।
pūjitā sarvaviśveṣu samabhūtsarvataḥ sadā॥

In times of yore, at the beginning of creation and in the Rāsamaṇdala of Goloka in Vṛndāvana,Kṛṣṇa adored Her. Secondly,Brahmā adored Her to get relief from Madhu and Kaiṭabha. Thirdly,Śiva adored Her when He went to war with Tripura. Fourthly,Indra adored Her after He was cursed by Durvāsā,as a result of which He lost all riches and glory. Since then,She has been popularly adored by all the sages,siddhas,Gods and Ṛṣis everywhere.

The text after this then alludes to Suratha and Samādhi who adored the Goddess,and one attained the position of Sāvarṇi manu while Samādhi attained Goloka by Her grace.

On the stotra of the eight names of Gaṇeśa by Viṣnu from the Brahmavaivarta Purāṇa

https://sanskritdocuments.org/doc_ganesha/gaNeshAShTakamviShNuBVP.html the text of the stotra is at the Sanskrit Dcouments website,I am translating it here.

Before Viṣṇu begins this stotra to Gaṇeśa,he affiliates these names of Vināyaka to the Sāmavedic tradition(putranāmāṣṭakaṃ stotraṃ sāmavedoktamīśvari)

He is known as Gaṇeśa,Ekadanta,Heramba,Vighnanāyaka,Lambodara,Śūrpakarṇa,Gajānana and Guhāgraja.

O Mother,beloved of Hara,do listen from me the meaning of these eight names which is the summary of the stotra and removes all obstructoions.

‘Ga’ stands for knowledge, ‘Na’ stands for mokṣa. The one who is the Lord of them both is Gaṇeṣa,I bow to Him.

‘Eka’ stands for principal,’danta’ stands for strength. The one who is the foremost of the strong persons is Ekadanta,and I bow to Him.

‘He’ stands for the poor,and ‘ramba’ stands for the protector,hence the one who is the protector of them(pālakaṃ dīnalokānaṃ) is Heramba.

‘Vighna’ stands for the dangers,and ‘nāyaka’ stands for its remover,hence He is known as vighnanāyaka and I adore Him.

The one who was endowed with a protruding belly because of the eating of the food provided by Viṣṇu and His own father is called lambodara,and I bow to Him.

The one’s whose ears are like winnowing baskets to remove obstructions,and bestows wealth and learning is known as Śūrpakarṇa,and I bow in reverence to Him.

The one on whose head was placed the prasādaṃ(consisting of flowers,hence a garland) of Viṣnu by the munis,I bow to the elephant-faced one known as Gaja-vaktra.

He was born earlier than Skanda,hence He is known as Guhāgraja,and I offer my obeisance to Him.

Oh Durgā,these eight verses consist of many śaktis and different meanings and is auspicious. Please look into the veda,O Putra(Viṣṇu is addressing devī here as putra),and nullify your anger.

The one who recites this stotra thrice a day(at each of the sandhyās) enjoys all worldly pleasures and becomes victorious in the universe like Garuḍa,the sun of Vinātā who is always victorious over serpents.

With the grace of Gaṇeśvara he attains all knowledge,the one desiring a son gets a son and one desiring a wife gets a virtuous wife. And the extremely dull person becomes a great poet and learns all vidyās.

Ramblings on @bronzeagemantis ‘ Bronze Age Mindset



The aweful and fierce guhyakAlI


I have read that book and some thoughts on it:The book has a rather pagan sense to it(and in some sense is both a critique of modernity and tries to invoke the sense of warriors who could have been ‘Gods’ punishment upon the masses’ or like Kalhana described Mihirakula:As a second Bhairava(in fierceness) on Earth. This is the type of a man of action,which he idolizes,one bounded by no rule,who in his actions in enemies is incredibly fierce and terrible(chaNDa) and through his very power,has the power to alter vidhAtR^i(fate itself) with a few ancient and a number of modern attempts at this. Few have had such power or blessings. He’s not a moralist exactly(to which quite a lot on our side might take a few smelling salts),though is not one who advocates any of the hedonisms or modern degeneracies. He’s primary a preacher of a gospel of power in its all conquering dimension and vitality as well. He also acknowledges the importance of ordinary civilized,healthy life and gives important suggestions for nationalist orgs(in the Western context of course) and about the sort of tenancious,right-thinking people needed to march through institutions like the Army(in the US context),Government agencies(that are enforcers),etc. Out of these in the book,I especially liked his insistence on friendship in a struggle for war and a higher cause,his point about families towards the end and demographics and about discipline,its value and life on the ascent.

A sandhyAvandana vidhi for all

682px-Sculpture_of_Surya_the_sun_god_dated_to_the_14th_century_from_Kannuru
[Image is of sUrya with His retinue and His seven horses and charioteer,sourced from Wikimedia Commons]

[This vidhi was shared to me by an upAsaka who wishes to remain private,just like the author of this blog]. And the advantage of this vidhi is that it can be performed by all regardless of initiation into vaidika gAyatrI or tAntrika or lack of it,or sex or caste,or birth.

Achamya(you do Achamana with achyutAya namaH,anantAya namaH,govindAya namaH) –

facing east, arghyapradAna[West at sunset]
gaNAdhipa surAdhyaksha chintAmani ganeShvara
siddhidAyaka vighnesha gR^ihAnArghyam namo’stute [This is a namaskAra to gaNesha]

gaNapataye namaH idamarghyam (3) [saying this mantra 3 times,offer arghya to ganesha three times]

rajjuvetra kasApANe kAshyape garuDAgraja
arka sutAruNa svAmin gR^ihAnArghyam namo’stute [This is a namaskAra to aruNa,sUrya’s charioteer]

aruNAya namaH idamarghyam (3)[saying this mantra 3 times,offer arghya to aruNa three times]

ehi sUrya sahasrAMSho tejorAse jagatpate
anukampaya mAm bhaktyA gR^ihAnArghyam namo’stute [namaskAra to sUrya bhagavAn]

sUryAya namaH idamarghyam (3)[saying this mantra 3 times,offer arghya to sUrya three times]

mitrAya namaH
ravaye namaH
sUryAya namaH
bhAnave namaH
khagAya namaH
pUshNe namaH
hiranyagarbhAya namaH
marIchaye namaH
AdityAya namaH
savitre namaH
arkAya namaH
bhAskarAya namaH (12 obeisances to sUrya with His names in the dative case)

kAmakrodhAdibhir mUDA pAtakam nu karomyaham
sarvapApakshayam kR^itvA raksha mAm dyumaNe prabho
AyurArogyam aishvaryam j~nAnam vittam prayachCha me
svargamapyapavargam cha jagadIshvara bhAskara

[Forgive whatever I have done from kAma and krodha,prabhu sUrya bhagavAn,and protect me from pApa. Please give me Ayuh,Arogya(health),Aishvarya(wealth),j~nAna,svarga and apavarga:Would refer to apavarga as mukti mArga here,jagadIshvara bhAskara(another name for sUrya)]

prAsya

The vidhi and mantras in देवनागरी लिपि

आचम्य

Facing east,अर्घ्यप्रदान[West at sunset]

गणाधिप सुराध्यक्श चिन्तामनि गनेष्वर
सिद्धिदायक विघ्नेश गृहानार्घ्यम् नमो’स्तुते[This is a namaskAra to गणेश]

गणपतये नमः इदमर्घ्यम् (३) [saying this mantra 3 times,offer अर्घ्य to गणेश three times]

रज्जुवेत्र कसापाणे काश्यपे गरुडाग्रज
अर्क सुतारुण स्वामिन् गृहानार्घ्यम् नमो’स्तुते[[This is a namaskAra to अरुण,सूर्य’s charioteer]

अरुणाय नमः इदमर्घ्यम् (३)[saying this mantra 3 times,offer अर्घ्य to अरुण three times]

एहि सूर्य सहस्रांषो तेजोरासे जगत्पते
अनुकम्पय माम् भक्त्या गृहानार्घ्यम् नमो’स्तुते

सूर्याय नमः इदमर्घ्यम् (३)[saying this mantra 3 times,offer अर्घ्य to सूर्य three times]

मित्राय नमः
रवये नमः
सूर्याय नमः
भानवे नमः
खगाय नमः
पूश्णे नमः
हिरन्यगर्भाय नमः
मरीचये नमः
आदित्याय नमः
सवित्रे नमः
अर्काय नमः
भास्कराय नमः

(12 obeisances to सूर्य with His names in the dative case)

कामक्रोधादिभिर् मूडा पातकम् नु करोम्यहम्
सर्वपापक्शयम् कृत्वा रक्श माम् द्युमणे प्रभो
आयुरारोग्यम् ऐश्वर्यम् ज्ञानम् वित्तम् प्रयच्छ मे
स्वर्गमप्यपवर्गम् च जगदीश्वर भास्कर

[Forgive whatever I have done from kāma and krodha,prabhu Sūrya bhagavān,and protect me from pāpa. Please give me āyuḥ ārogya (health),āiśvarya(wealth),jñāna,svarga and apavarga:Would refer to apavarga as mukti mārga here,jagadīśvara bhāskara (another name for Sūrya)]

प्रास्य

jagannAtha as puruShottama

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This article is to be read in conjunction with the previous article on how the wooden God was initially considered as narasiMha.

In quite a few Sanskrit works on the temple,we find the Lord of Puri being referred to as puruShottama. One might ask,what is the origin behind this name and why this particular name has been linked with jagannAtha historically? I am summarizing GC Tripathi’s work here

Early sAtavata conception

The early sAtavata conception of this term is noted in the 15th chapter of the Gita embedded in the Mahabharata,where kR^iShNa is identified as puruShottama,as beyond the kShara and akShara puruSha,and having an identity with them. Also the shloka that goes “…atō.smi lōkē vēdē ca prathitaḥ puruṣōttamaḥ৷” is indicative of Krishna-Vishnu being identified with the puruSha concept even in vaidika terms. In ritual that is extant even today,the puruSha sukta is used for worshipping viShNu in pUjAs that require 16 upAchAras(each of the mantras of the sukta being used for a particular upAchAra). That the fact this ritual is old is attested in the Bombay recension of the Skanda Purana.

puruShottama as used in early literary records and epigraphy of the Jagannath temple

  1. anargharAghava of murAri(circa 900s CE):puruShottama is described as being on the salt ocean and drawing patterns on the breasts of kamalA with paste of musk and His yAtrA.
  2. prabodhachandrodaya of kR^iShNamishra(was written between 1060-70CE) where the kShetra of puruShottama is referred to
  3. puruShottama mAhAtmya of the skanda purANa(1300s CE)
  4. mahApuruShavidyA(1600s CE?)
  5. Maihar inscription at a sarasvatI temple(middle of the 10th century)
  6. Dasgoba Copper plate grant of Rajarajadeva,recording the construction of the new temple of Jagannath Chodagangadeva.

 

puruShottama in tAntrika literature

Now that we have noted the earliest literary and epigraphical references to that term puruShottama,we should now turn to the tAntrika literature which has been influential in the usage of this term(and which has influenced the ritualism of the shrImandira) to understand what did the people in those eras mean when they said puruShottama(as already noticed in the anargharAghava,the deity is already alluded to as having an erotic component and is in play with lakShmI)

The aspects of puruShottama can be noted under the following headings in the shAradAtIlaka according to Tripathi

  1. puruShottama-trailokyamohana
  2. shrIkara-puruShottama
  3. kAma-puruShottama
  4. kR^iShNa gopijanavallabha

In later works like kramadIpikA of keshavabhaTTa(which has been influential on most of the existing pUjAvidhis of jagannAtha) and the gautamIya-tantra(one of the most influential Agamika texts on the worship of kR^iShNa) puruShottama is noted as puruShottama-bhuvanamohana  and puruShottama-trailokyamohana and invoked in the former in a highly erotic form with the yonI of lakShmI getting wet due to amorous excitement and the divine couple being surrounded by thousands of damsels of devas,nAgas etc intoxicated and languid due to the effect of love,and the gautamIyatantra’s description of the couple has shrI embracing Him tightly seducing Him with amorous gestures(sakAmalIlAya devam mohayantI). In these texts,it is puruShottama alone who is referred to as jagannAtha,which facilitated the name interchangeability. Whereas,in earlier texts like the shAradAtIlaka,trialokyamohanA whose link with kAma is obvious in His gAyatrI,and the dhyAna as elaborated by rAghavabhaTTa who notes that lakShmI embraces(dakShiNena Ali~Nganam) Him,and His eyes are enlarged and languid,due to the effect of liquor:And worshipping Him grants the 4 puruShArthas of life;in the later two texts,kR^iShNa becomes prominent and the puruShottama aspect becomes reduced to usages in special rites,while the jagannAtha epithet of puruShottama acquired more and more popularity amongst even literature in the vernacular and the masses.

The testimony of the skandapurANa’s puruShottama mAhAtmya

The puruShottama mAhAtmya refers to subhadrA as lakShmI at three incidents(two of which are being cited here),and interestingly,when referring to events cited as happening in the hoary past.

  1. The incident of puNDarIka and ambarISha;two mahApApIs who could visualize jagannAtha as being with lakShmI who is offering Him a betel-leaf(5th adhyaya). Later too SHe is described as shrI standing between viShNu and shesha
  2. The 19th adhyaya explicitly pleads for the identification of the female deity as shrI(lakShmI),and not any fraternal identity

The testimony of the mahApuruShavidyA

This mahApuruShavidyA(also called puruShottama mAhAtmya) is a text which,according to Tripathi has been composed by shAkta brAhmaNas of the Sasana villages near Puri,who are also with a great affinity towards the Jagannath cult sometime around the 1500s. In this text,the female deity is almost invariably identified as lakShmI even under the mere name of subhadrA

vAmA~NgarUpiNIM lakShmIM tasya dakShiNapArShvagam|
apashyad divyayA dR^iShTyA subhadrArUpadhAriNIM||

And She sports with Her lord like an ordinary human being in the cave of the nIlAchala mountain(nIlAchalaguhAmadhye naralIlAvihAravAn…)

The actual temple layout and aspects of ritual

  1. The garbhagR^iha has space for two(and only two) deities[implying that yes,balabhadra was added later,this is a matter that will be dealt with in a future article] representing puruShottama and lakShmI
  2. These two deities were represented by (kAma)-puruShottama and lakShmI
  3. In existing ritual at the shrImandira:the pIThashaktis of kAma-puruShottama reappear as the mates of bhUvaneshvarI(the current identity of the deity known as ‘subhadrA’). The artificial form of the names of these deities signify that these were originally meant for the worship of kAma-puruShottama and not bhuvaneshvarI initially,and were readapted into Her yantra here at a later date. Also when lakShmI is considered to be of golden complexion when She is in union with puruShottama in the shAradAtIlaka,the same bodily complexion of the deity identified as subhadrA today,the possibility of the female deity having being considered as the sister of viShNu is unlikely to have been the historical conception of the deity initially.
  4. The yantra for pUjA for jagannAtha Himself is a mixture of the yantras of trailokyamohana-puruShottama and shrIkR^iShNa gopijanavallabha in the sense that a sexagon is central,but an 8-petalled lotus is involved,rather than the standard 10 petalled lotus for shrIkR^iShNa.

 

namo gopIjanavallabhAya|

A practical note on purascharaNa(cited from kulArNava tantra and muNDamAlA tantra)

yad yad a~Ngam vihiyeta tatsaMkhyAdviguNo japaH|
kuryAd dvitrichatuHpa~nchasaMkhyaM vA sAdhakaH priye||
kurvita chA~Ngasiddhyartham tadashaktau sa bhaktitaH|
tachcheda~Ngam vihiyeta mantri neShTam avApnuyAt||

-kulArNavatantra,pa~nchadasha ullAsa (15th chapter,Kularnava tantra)

In Devanagari:

यद् यद् अङ्गम् विहियेत तत्संख्याद्विगुणो जपः।
कुर्याद् द्वित्रिचतुःपञ्चसंख्यं वा साधकः प्रिये॥
कुर्वित चाङ्गसिद्ध्यर्थम् तदशक्तौ स भक्तितः।
तच्चेदङ्गम् विहियेत मन्त्रि नेष्टम् अवाप्नुयात्॥

-कुलार्णवतन्त्र,पञ्चदश उल्लास

If one limb of a five limbed purashcharaNa is lacking,one does japa dviguNa(twice),triguNa(thrice),chaturguNA or 5 times to make up for it. [Apparently according to Buhnemann,a text called PA;perhaps is it the purashcharyArNava? states that the number of times one has to repeate this substitute japa depends on the varNa of the person doing the purashcharaNa,like brAhmaNas doing 2x,and the others in increasing orders:I’m not able to check for myself the original text of the purashcaryArNava].

Anyway,these are the range of rules the tantra has stated,what suits the individual sAdhaka is best learned from his guru who can clarify(and is the ultimate authority).

So,if one had the homa saMkhyA 10,000:He would have to do at least 20,000 japa to make up for the missed limb(a~Nga) of the purashcharaNa.

Practically,the author has seen mostly people recommending 2x or 4x to make up for the a~Ngas that could not be done(like homa,tarpana,etc).

Another note from muNDamAlA tantra(5h paTala):

nyunAdhikam na japtavyAmAsamAptaM sadA japet|

Also

rAtrisheshe japenna cha|

yastha yAvAn japaH proktastaddashAMshAmanukramAt|
tattaddravyairjapasyAnte homaM kuryAd dine dine||
homasya cha dashAMshena tarpaNaM proktameva cha|
tarpaNasya dashAMshena shiromArjanamiShyate||
taddashAMshena viprendrAn kurvIta kulakanyakAH|
saMbhojayet prItiyuktairdravyairnAnAvidhairapi||
homAdyAshakto deveshi!kuryAchya dviguNaM japam|
yadi pUjAdyAshaktaH syAd dravyAlAbhena sundarI|
kevalaM japamAtreNa purashcharyA vidhIyate||

Translation of the above relevant points that I cited:One should not do more or less japa every day till the very end. One should not do japa at the end of rAtri. One should do successive dashAMshas of homa,tarpaNa,mArjana,and brAhmaNabhojana. If one is incapable of homa,etc,he should do 2x the japa. If he is incapable of pUjA etc a~Ngas due to lack of dravyas,by japa alone he can complete the whole purashcharaNa.
Swami Sacchidananda Saraswati in his Purascharanapradipa states: অশক্তকল্পে:কেবল জপে জপেই যে কোন সাধক পুরশ্চরণ হইতে পারে। এমন কি ব্রাহ্মণভোজন অঙ্গের অন্যকল্পেও জপদ্বারাই তাহা সিদ্ধ হইতে পারিবে। যথা:-(and then quotes the last shloka I had cited here).

Personal note(I am no AchArya):pratyakSha brAhmaNabhojana is still the best option even if one has substituted all the other a~Ngas with japa for the reason it falls in the same category as kumAribhojana:Both of these remove all the doshas that might have been committed in the process of the mantrasAdhanA. And of course,the brAhmaNas should be vedaj~na or should be doing upAsanA of the same mantra as the sAdhaka is doing/be dIkShita in that same mantra.

(note on 11th May 2021):Another note from reading the Purascharanapradipa again in the section on brAhmaNa bhojana :যদিও ‘আচার্য্যমতে’ বিপ্রভোজনের অনুকল্পরূপে জপ করিবার আদেশ আছে,তথাপি ব্রাহ্মণভোজন-রূপ পুরশ্চরণ-অঙ্গের অনুকল্প জপে বাধা দিবার কারণ এই যে,ইহাদ্বারা জপাদি অন্যান্য সকল অঙ্গেই যদি কোন প্রকার হানি বা অজ্ঞাতে তাহাতে কোনরূপ অসম্পূর্ণতা হইয়া থাকে,সে সকল ব্রাহ্মণভোজন দ্বারাই পূর্ণ হইয়া থাকে।  (Even despite from ‘AchAryamata’ there is a provision of anukalpa of virabhojana,still an obstruction is given to this provision because if there is any hAni or incompleteness due to unknown fault in the purashcharaNa,all that can be rectified by brAhmaNabhojana itself.